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Oscar B. Cintas
Oscar
B. Cintas, born in Sagua la Grande, Cuba, in 1887, was a prominent
sugar and railroad magnate who served as Cuba’s
ambassador to the United States from 1932 until 1934. He was
educated in London, and became director of the Cuban Railroad
Company’s sugar mills in Punta Alegre, Jatibonico and
Jobabo. He was president of Railroad Equipment of Brazil and
Argentina, director of the American Car and Foundry and the
American Locomotive Sales Corporation, and had business interests
in Europe.
As a patron of the arts and with the
advice of the legencary Alfred H. Barr Jr., Mr. Cintas assembled
a collection of Old Masters and modern paintings that was
once considered among the best in Latin America. In 1940,
he lent one of the pieces from the collection, Rembrandt’s Portrait of a Rabbi
on a Wide Cap, to the Masterpieces of Art exhibition at
the New York World’s Fair. Mr. Cintas also collected
manuscripts, and his acquisitions included the sole first edition
of Cervantes’ Don Quijote, and the fifth and
final manuscript of Lincoln’s Gettysburg Address, once
owned by the family of Col. Alexander Bliss, and known as the
Bliss copy. Mr. Cintas’ purchase of the manuscript, for
$54,000, in 1949, set a record at the time for the sale of
a document at a public auction. The manuscript, the only one
to which Lincoln added his signature, is exhibited in the Lincoln
Room of the White House.
Before his death
in 1957, Mr. Cintas entrusted the administration of his estate,
including his art collection, to The Chase Manhattan Bank,
N.A., with Ethan Alyea serving as legal counsel. With the
help and encouragement of David Rockefeller, Mr. Alyea named
a blue ribbon board of trustees to carry out Mr. Cintas’ wishes
for a foundation. Early members of the board included Theodore
Rousseau, curator of the Metropolitan Museum of Art; Porter A.
McCray, director of the International Program at New York’s
Museum of Modern Art, and A. Hyatt Mayor, curator of prints at
the Metropolitan Museum of Art. The foundation’s original
name, the Cuban Art Foundation, was changed in 1962 to honor
its founder. |